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Archive for the ‘Film Making’ Category

For the aspiring filmmaker film school is a joy. Not only does it serve to give you the rudimentary skill set you will need, but also it serves to mold your passion and give you the momentum once leaving school, to produce work that is fresh and new. There are several schools in this country that have outstanding reputations.

Of course California is going to produce more film schools than you can shake a stick at, with New York a close second, but there are plenty of film school opportunities in other parts of the country. I will discuss some of the heavies first as they are the “Pie in the Sky” for many aspiring filmmakers. The premiere school to go to would of course be the AFI conservatory. Founded in 1967, they provide 6 areas of course study: Cinematography, Directing, Editing, Producing, Production Design, and Screenwriting. AFI is particularly devoted to traditional narrative film.

California Institute for the Arts (Cal Arts), was created in 1961 by Disney in 1961, with an emphasis on animation. San Francisco State University has a film program, also created in the 60′s amid the political expansiveness of that time and their course work is heavily influenced buy experimental film. Then there is always UCLA Film School and USC as well.

In New York you have Columbia University School of the Arts and NYU. Both have heavy rosters of Directors and Film writers that have come up in the ranks at these schools. I think of Spike Lee when I think of NYU.

It’s really a good idea to probe a little deeper into the subject of Film Making. What you learn may give you the confidence you need to venture into new areas.

These are the most famous of them all, the ‘A’ list, and to get into these schools is practically a miracle from god, but if you do, you just scored Willy’s Golden Ticket. If you find yourself to be one of the many that are outside the golden gates looking at all the happy film students, do not despair. There are plenty of other film schools around the country that have great programs where you can get the skills and training you need.

There are some things that you must consider when picking a school off of the ‘B’ list. How much is the education going to cost? That is the bottom line, because if you get loans to get into school, you better be able to make those loan payments 6 months after graduation. To that end the next consideration is what kind of internships do they offer. See if you can have a conversation with the senior students in the film program so that you have an idea of what is in store for you once you leave school. Who else has graduated from this school that is noteworthy?

Film School is that wonderful island in the middle of an otherwise uphill battle. The equipment loan programs in themselves are worth the price of admission. Here you will have the opportunity to use cameras, recording, and editing equipment along with edit bays and sound studios. There will be a pool of actors and crew to draw from as you each help crew for each other. For this one brief time you have the benefit of all this. Once on the other side, however, you are on your own.

The Pacific Northwest has several film schools. University of Washington has an excellent film school. The Evergreen State University is notorious for their liberal/alternative education. Some take issue with the fact that there are no grades. Instead there is an evaluation system in place where the student and teacher write evaluations of themselves, the teacher, and the program. Greeners, as they are called, pride themselves in critical thinking and their program, MediaWorks, has provided the film community with radical, cutting edge filmmakers.

Whatever school you decide to attend, enjoy it while it lasts. It will be the one place you can experiment and have the support you need to get your projects done. Plan on sleeping very little and learn to love pizza and Top Ramen.

About the Author
By Anders Eriksson, feel free to visit his soon to be top ranked Perpetual20 training site: Perpetual 20

If you’re seriously interested in knowing about Film Making, you need to think beyond the basics. This informative article takes a closer look at things you need to know about Film Making.

When you work for free in the film making business, it will not be because you don’t need or want to get paid. It will be because you are trying to gain experience and be able to find work in the film making industry. For one thing, you need experience to be hired in the film making business, and to gain experience you need to have worked in the film making business. It is a vicious cycle and most of the time the only way to break it is to intern or volunteer to work for free on a project.

This can actually lead to paying job on the film maker’s next project if he likes your work. This is a great way for a film maker who is on a tight budget be able to work with a production crew. And whether the film is a success or a flop, the knowledge needed to find gainful employment will be yours when the shoot is done. You will be able to add this experience in your resume to show that now, you have the experience needed to be a paid worker on the crew. If you worked hard as an intern on one production, but the film maker did not hire you for his next project, you should not worry too much. You will be able to show the experience you have gained and have at least a fighting chance to get a paid position.

You can see that there’s practical value in learning more about Film Making. Can you think of ways to apply what’s been covered so far?

If you enroll in a film making school or University, you will see that an internship with a film maker is part of a four year course of study. It certainly isn’t inexpensive to take a four year course at a school. Deciding to work on a film making crew as an intern, will be one of the best choices for you, if you have no experience in the film making industry and want to rub elbows and make contact with people who know the business inside and out, and they may be able to point you in the right direction. You will even find that some production companies will pay their interns minimum wage.

Investing your talent and know how in an internship will build your resume and network so that down the road you will be hired for the position you desire. You may want to intern more than once to really add to the experience on your resume. This is not a free ride for you, you must show the film maker that you are serious about working on the film, and are up for the position. Do network with the crew to aid you in finding a paying job after your internship is through.

If you find the work too grueling, the hours too long, and you just aren’t getting in the swing of things as you should be, maybe it is good that you learned this early. Above all, no matter how new you are to the film making business, always act in a professional manner and you will find you will be on your way to a great career.

It never hurts to be well-informed with the latest on Film Making. Compare what you’ve learned here to future articles so that you can stay alert to changes in the area of Film Making.

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By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO

Every film maker will reach a crossroad when they must make a decision on whether they want a full-blown career as a film maker, or they prefer to make films as a hobby. This decision usually depends upon the film makers ability to fund or finance their own projects. Most film makers do not think about financing future projects, they usually have all of their attention on the work at hand. Any film maker needs to acquire a knowledge of what it means to be a professional film maker, and how film investment works.

There will be plenty of people who want to give you advice and take advantage of your ignorance on these matters. While there are many legitimate companies, there are also those that will try to rook you out of the money you have earmarked for your film making project. A legitimate organization will not promise you they can get you a list of potential investors. The interest in your project will determine whether it should be presented to investors, not good fortune at running across a group of investors by chance.

The legitimate consultants know that there is no money to be made in the few hundred dollars many producers can afford to pay for their services. Serious financial consultants don’t even want a percentage of the funds earmarked for your project. While they will charge you fees for their services, their goal is to see that your project succeed and find distribution. You will want your consultant to think of accumulated interest on the money borrowed over the course of production, and other aspects of the financial end of the project.

The most difficult thing about this will be to convince a legitimate producer’s financial consultant to become involved with your project. The investor is the key to this, you need to find someone who is willing to invest in a high-risk film making project. You will need to know the investing criteria from the point of view of the investor. Below are a few film investing basics.

You can see that there’s practical value in learning more about Film Making. Can you think of ways to apply what’s been covered so far?

- A film investor will usually put up about 50% of the total film cost. The film producer is responsible for the other 50%.

- 30% to 40% should be enough to get most films made, depending on whether you will be able to convince other end users to buy into the plan.

- The investor will want to keep the budgets for the film project as low as possible. Foreign sales should be enough to cover at least 50%.

- An investment of $5 million should allow an investor to buy into several films.

It can be quite difficult for the independent film maker to gain financing. Another idea on financing your film making project is the idea of grant awards. There are many out there who will give an award to film makers who are excited about, and believe in, their film project. You will find them by doing a search for film making grants. Make sure you become knowledgeable about each grant, as they all have different criteria for the grant giving process.

There’s a lot to understand about Film Making. We were able to provide you with some of the facts above, but there is still plenty more to write about in subsequent articles.

About the Author
By Anders Eriksson, feel free to visit his soon to be top ranked Perpetual20 training site: Perpetual 20

The following article presents the very latest information on Film Making. If you have a particular interest in Film Making, then this informative article is required reading.

Fly Filmmaking is closely related to Guerilla Filmmaking. The latter is done literally with all that there is on hand and in the shortest amount of time possible. Spike Lee did this with his film “She’s Gotta Have it” and he has received continuing critical acclaim for his first effort.

Fly Filmmaking is very similar and was conceived by the organizers of the Seattle International Film Festival. The name literally refers to filmmaking on the fly and this is a challenge done every year for about the last 10 years. This is done to showcase the filmmaking community in the Seattle area.

It consists of 3 separate teams that are given all that they need to make a film and a time frame of about 10 days. In this time they have to conceive of and create a film. The run time of the films is anywhere from 5 minutes to 22 minutes. The judges view the ending result and announce the winner at the festival.

The arrangements and actual work are done about 3 weeks before the festival starts. The producer, director, sound engineers, director of photography, actors, and post-production facilities are arranged and after everyone meets to go over the final details, the 3 crews are let loose to make their films as fast as they can. The music is even done on the fly by local composers and recorded by professional musicians.

Once you begin to move beyond basic background information, you begin to realize that there’s more to Film Making than you may have first thought.

This challenge is an effort to have film made without the consideration of cost and avoiding the politics that are so frequently present in filmmaking. However, the boundaries of time can be a bit of a headache, but that is the challenge. Participants are surprised by their own efforts.

This form of filmmaking has been “borrowed” by other festivals in the following years and it has always been a real crowd pleaser. It would seem that a similar plan was used with the new Fox show “On the Lot”. There may be some differences but basically it is the same model as SIFF’s Fly Filmmaking.

The results of these attempts are amazing and it would seem that they took much longer to make. Usually in the process of making a film a great deal of time is taken to make decisions about what would be best in the production. There is no time to spend making decisions or discussing ideas. You have to go with whatever comes up at the moment.

As an experiment I would suggest that as an exercise you try Fly Filmmaking. Of course you may have to use your own camera and figure out how to do your own post-production as best you can, but it may be worth it. Any film school student could probably pull this one off. Use the school’s equipment loan program and you would also have a post facility available to you at not cost. This should challenge you and teach you to economize on the time and resources it takes to make a short film.

Of course, it’s impossible to put everything about Film Making into just one article. But you can’t deny that you’ve just added to your understanding about Film Making, and that’s time well spent.

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The following article includes pertinent information that may cause you to reconsider what you thought you understood. The most important thing is to study with an open mind and be willing to revise your understanding if necessary.

You may want to start out by producing your own film, if you are up to the task. It is a great burden to take on a project, especially when you are new to the business. If you can accomplish this, you will have a film you can show to display your commitment to a film making career.

Once you decide to produce your own film, you will need the resources to make your movie. A film grant is one way to get the funding for your film, but it can be difficult to get this type of grant. You will need to know how the process works when applying for a grant. There are different types of film grants, money, equipment, room and board, film, music, producing, screen writing, directing or a combination of any or all of the above.

Each grant giver has certain guidelines you must meet to qualify for their grant. Quite a few of them want you to produce a documentary of some type. Many of these grant projects have been given awards and are shown on television because they are so inspiring.

The purpose of these grants are designed to help film makers who are unable to get other funding. Others do not have the money to get into a good film school, but they have the talent. These grants create great film makers as well as wonderful films. Some grants allow film makers to get regular funding in the future, after they have shown what an excellent film maker they are.

Those of you not familiar with the latest on Film Making now have at least a basic understanding. But there’s more to come.

When a grant funder is considering a project to give to, they look for the passion the film maker has for the project. This is the most important point of consideration when reading a grant application. The film maker will carry this passion and dedication throughout the film making process, no matter how long it takes to finish the film.

The Guerilla Filmmaking Grant was designed to encourage creative, resourceful filmmaking for artists working outside of the “Hollywood industry”. Twice a year they award $1000 to produce, shoot, and edit a feature length film. The film maker has control over the look, feel and content of the film. A DVD release of the movie is included. The film maker keeps all rights to distribution. They also include Marketing Advice to help the film maker distribute and sell the movie. All film rights are retained by the film maker. Anyone in the world that is thinking of producing an English language feature film may apply for this grant.

You need to go to http://www.mediadarlings.org/filmgrant/ to check out the entire grant process of this grantor. You will find all of the information you need, and all of the guidelines you must go by to apply for this Guerilla Filmmaking Grant. If you have any questions you can contact them.

There are many places an independent film maker can apply for. Just type filmmaking grants into your favorite
search engine and you will see what I mean

You can’t predict when knowing something extra about Film Making will come in handy. If you learned anything new about Film Making in this article, you should file the article where you can find it again.

About the Author
By Anders Eriksson, now offering the host then profit baby plan for only $1 over at Host Then Profit

Are you looking for some inside information on Film Making? Here’s an up-to-date report from Film Making experts who should know.

Being a location scout would seem to be the most fun out of all the jobs offered in the filmmaking industry. It seems that it would be a dream vacation to travel and see if a location checks out or not. Believe it or not, headaches abound in securing a location to shoot.

There are many more details involved in securing a location to shoot a film than simply finding the location. There are permission and releases to be obtained from everyone involved. Proof of liability insurance and authorizations of access to the location may need to be obtained. The scout will convince the owner that having a 150 person crew camped out on their front lawn it going to be good fun.

Previously it might have pacified the local authorities if you gave them some small compensation, like a good bottle of whiskey, but these arrangements are no longer available. Now you must have official permission from the local authorities to use certain locations for filming. These releases must be paid for and put on file so that they can be accessed during the shoot. Once the location scout has secured the location they become the location manager. This means they are responsible for parking access and accommodations for he cast and crew.

Knowledge can give you a real advantage. To make sure you’re fully informed about Film Making, keep reading.

Sometimes unusual arrangements are made in order to use a location. Stephen King’s “Rose Red” was filmed at Thornwood castle in Lakewood, Washington. This castle was brought over from Europe, brick by brick, and rebuilt on she shore of American Lake by Chester Thorne. Chester Thorne was one of the founders of the Port of Tacoma. Initially while it was a good location, the castle needed to be returned to its old grandeur. The production and location managers struck a deal to refurbish the castle.

The result was that almost $800.000 of renovations were preformed on the castle. The restoration work done to the castle can be seen at Thornewood castle’s website. The work done was in exchange for the use of the location once it was finished. The owners of the castle in exchange for the use of the location received $800,000 in renovations. I am sure they thought it was good deal. This case exemplifies the lengths to which producers will go to in order to secure a good location.

Location scouting was previously done at a time when the digital technology was not available to the location scout. Scouts were required to travel to the actual location and they usually ended up using Polaroid shots for their reference. Now there are location agencies that can give you virtual tours of locations and the scouting can truly be done online. All you need to do is put in a request for locations on the Internet and you will find scads of listings for location scouting agencies.

Now for those of you that are producing your own independent films, you will have to use your wits to secure your locations. If you are using your own house or apartment it will be no problem but if you are using a location that doesn’t have general public access you will need to secure releases from the owners of the facilities you want to use.

That’s the latest from the Film Making authorities. Once you’re familiar with these ideas, you’ll be ready to move to the next level.

About the Author
By Anders Eriksson, feel free to visit his Perpetual20 training site for great bonuses: Perpetual20

Have you ever wondered if what you know about Film Making is accurate? Consider the following paragraphs and compare what you know to the latest info on Film Making.

Chris Gore writes a book called “The Ultimate Film Festival Survival Guide”. In the first 10 pages of the book he talks about going to Film Festivals all over the world and enjoying each and every one of them. I don’t know about you, but this sounds like heaven to me. Whether you are a film aficionado or a filmmaker with a film entered, a film festival is an exciting experience and one you will want to repeat as often as possible.

There was a time when film festivals were far and few between. Studios controlled every aspect to filmmaking and there was not much of an independent spirit to be found anywhere. It seems however, with the rise of Indie films that every state in the country has it’s own film festival. In California alone there must be twenty or more film festivals.

There was a time when films did not happen at all unless they were under the auspices of the studios. There was no real chance of the little guy getting his or her film out there. But now it is a whole different ballgame. The little guy likes to show his films anywhere he can, hence the rise of independent film festivals all over the country.

Sundance, Tribeca, and the Toronto Film Festival are the first and foremost festivals to submit your film to. However there are at least a hundred other film festivals that you can submit your film to. This is rather like the lottery; if you don’t play you can’t win. If you don’t enter your film you can’t get it shown. You must continue to submit your film as many times as you can until you finally get acceptance into a festival.

You might get quite a few rejection letters until you get your first acceptance letter. There are a few things that might help you out though. You must remember that a film festival board may have 800 submissions and only 40 spots for a film to be shown. Many a rejection letter has given the reason that they had far too many submissions to even view them all. My advice to you is that once you have your film done and you have the very first date they are opening for submissions then submit your film. Don’t wait until the last minute.

See how much you can learn about Film Making when you take a little time to read a well-researched article? Don’t miss out on the rest of this great information.

Make sure your film is entered into the right festival for instance, you would not enter a children’s film into an adult alternative film festival. I am not sure there is even the latter category, but you get the general drift. Also, read your application carefully. It may require your entry to be mailed, done online, or even in person.

In the category of short film, be very careful you adhere to any time requirements for your piece. If it is a little too long then do some more trimming. Just to be on the safe side if the film is to be 10 minutes long, make it for 9 minutes. Don’t give them any reason to kick back a rejection letter.

Rejection is a funny thing with Film Festivals; there is art even in rejection. The Slamdance film festival came about as an answer to the rejections from Sundance. The Sundance Festival shows in Park City, Utah. At the same time in Park City, Utah Slamdance runs. This is a deliberate attempt to show the films that have been over looked by Sundance. I’ll bet there’s a lot of action in that town during the combined running of both festivals.

If you get a chance to visit the Pacific Northwest during the end of May and beginning of June, the Seattle International Film Festival runs for almost a month sometimes showing as many as 300 films. They have great filmmaker’s forums and there is their original “Fly Filmmaking Challenge” that they hold every year. Theirs is the longest running and shows the most films of any other film festival in the country.

I encourage you to do your own search of film festivals and check out their application processes. Do this research sooner rather than later. Don’t wait until the last minute.

Knowing enough about Film Making to make solid, informed choices cuts down on the fear factor. If you apply what you’ve just learned about Film Making, you should have nothing to worry about.

About the Author
By Anders Eriksson, proud owner of this top ranked web hosting reseller site: GVO

My first introduction to film in school was during a film analysis class, although technically, it was classified as a philosophy class. The professor was quite pompous and made a big deal out of discussing how to actively view a film. No speaking was allowed, and we were to take notes while viewing. He was a little like the Movie Nazi. We discussed film theory and the power of the director in the making of a film at great length.

As a cultural phenomenon, film traces the human need to tell stories back to our oral traditions. Aside from recording history, we all want to be entertained and we all want to hear a good story. If you are going to make a film, you have to have a great story and then be willing to run with it. Talk it up to everyone you know. Enlist the help of others and win them over to the cause of your film. Give your film a catchy name–one that will pop out of people’s mouths.

Promote your film shamelessly before you ever have anything in the can. Sell T Shirts with your film logos and sell bumper stickers. Make a website and develop a fan base. Start a blog and be just as edgy and out there as you can, but make sure that people have your film’s name on their lips, regardless of how good it is.

I have a friend who produced a film about her high school experience 10 years ago, and this summer it will be distributed. She developed a website, sold things from her film promotion stock, and made a very good fan base for herself before the film was even edited. Her fan base, through the purchase of T-shirts and other promotional items, paid for various things throughout production of the film. She managed to get it made and now her film has been picked up for distribution 10 years later.

Hopefully the information presented so far has been applicable. You might also want to consider the following:

To be a filmmaker is to have a big picture mentality on a small picture budget. It is tough to stay true to the storyline when you have a bottom line that is keeping you from the production. One of the reasons you want to talk your film up is that, in the beginning, you will need to find a crew. Usually you will have to use talent that is willing to work for nothing (or next to nothing). You may have to act in your own film as well….and write, direct it, and edit it. Do what you have to do to get the film “in the can” and ready to edit.

You will have to develop tunnel vision with the project. If you have a day job, get used to the idea that you may have to take an extra job for a while to buy a camera or other necessary equipment for shooting. If you have the good fortune to still be a student you have great resources for equipment. If you are not a student, then maybe you can decide to go back to school and study film. You will have at your disposal some of the best resources an aspiring filmmaker can have. Film programs at universities have awesome loan programs that are a hidden resource.

At college, while you can take film equipment out on loan, you may also have access to edit bays and sound booths. In some cases, they are available 24 hours a day. Students are up all night anyway, right? Also, when forming a production crew, students provide good talent for your film when you are in need of actors. You may want to take turns crewing for your friends’ films, and they, in turn, will act in yours. Do what you can to build a crew, gather the bare minimum of equipment needed to shoot, and develop a shooting schedule. Once you have the crew and the guns to shoot, everything starts to gel. Press onward.

There’s a lot to understand about Film Making. We were able to provide you with some of the facts above, but there is still plenty more to write about in subsequent articles.

About the Author
By Anders Eriksson, feel free to visit his Perpetual20 training site for great bonuses: Perpetual20

When you’re learning about something new, it’s easy to feel overwhelmed by the sheer amount of relevant information available. This informative article should help you focus on the central points.

You need to practice caution when thinking of investing in film making. Many people who are quite financially successful, often loose their investment, when putting their money into film making. Investing in film making is exciting and glamourous, but not every film becomes a hit, and a flop can mean a huge loss for you. Never invest in anything, unless you can afford to lose the amount you have invested with minimal damage to your finances.

The winners in the film making business have proven that they are successful, and are already completely financed. These film makers have many years of experience in the film making field. While it is possible to invest in film making and make money, it isn’t very easy. There are several people out there who are waiting to give you poor advice and take your well earned cash.

A few quick tips to set you on the right track:

1. 30% to 40% in equity should be enough to make most films if others will agree with the idea.

2. Keep the budget low, foreign should cover at least 50%, 70% would be even better.

3. Search for a script carefully and take your time, don’t grab the first script that interests you. You need to make sure film makers will agree with the use of the script.

It seems like new information is discovered about something every day. And the topic of Film Making is no exception. Keep reading to get more fresh news about Film Making.

4. You will need to take care of distribution with your own money, distribution is where you can make a good deal of money from your investment.

5. If you invest more $5 million or more, you will be able to buy into more than one film.

6. Never put up more than 50% of the total amount it will take to make the film, the producer should be able to drum up the rest, if they can’t- withdraw now.

7. Do not look at hit movies made by major motion picture studios as a guide. You will be working with independent film makers, and there are big differences.

Do your homework and become knowledgeable about the workings of independent film making. Know the film trends that work and what is popular, and what trends will be expected to last for a year or more. Has the film maker worked in the industry at all, if so to what extent is his expertise?

While investing in film making can be quite lucrative, you should believe in the film project and the ability of the film makers before you invest a dime. Meet with them to see how professional they are and what their goal is when it comes to the film project at hand. How excited are they about the project? Do they seem like the go-getter type that will be able to see the film making project through to completion? Are they opposed to you visiting the set once in a while to quietly see how the film is progressing?

These are all things you should check out before you decide to invest in film making. There may be other issues you will be concerned with, make sure you write them down while they are fresh in your mind and bring them with you to the meeting. There is never a guarantee when it comes to investing in anything, but if you believe in the project and are satisfied with the film makers there is a good chance you will see a profit.

Now you can understand why there’s a growing interest in Film Making. When people start looking for more information about Film Making, you’ll be in a position to meet their needs.

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When thinking about the film making equipment you will need for your project, you will need to make a list as soon as your budget and schedule have been worked out. This is when you will need to contact film making equipment rental houses to see which ones have the best price on what you need. Some of this equipment is used often and you may need to reserve it much earlier than you will actually need it.

You will need to get a list of vendors that offer the film making equipment rentals that you need. Some rental houses can put together a complete package for you, and others may be a bit more constrained. As long as you have a complete list of equipment needed you will be able to find the right rental house to serve you.

When you contact the vendor, ask if they will have the equipment you are going to need by the time you will need it. Tell them what your project will require in the line of film making equipment. Most of the rental houses are current on the latest equipment, and could help you with information you weren’t aware of.

If your Film Making facts are out-of-date, how will that affect your actions and decisions? Make certain you don’t let important Film Making information slip by you.

It is imperative that you reserve the equipment for the dates of your shoot. This should be done in advance, and is called a hold. This does not mean you will need to pay for the equipment before you pick it up. If the film making equipment has already been put on hold for someone else, you may need to accept a hold for a later date. If you know that the date you have given is the date you will be getting the equipment, ask the vendor if you can firm your order. The rental house will contact the people with the hold prior to you and ask them to firm the order or give up the hold. When you firm an order, you will be obligated to pay for the equipment from the day you have the hold, even if you don’t use it then. If your plans change, you will need to contact the vendor as soon as possible so they can make other arrangements with other customers.

Since you are renting equipment that has had several users, it is a good idea to test it out before you are actually ready to shoot the film. The vendor is not liable for anything if you use faulty equipment and waste time and money. Most rental houses will ask you to show proof on insurance, if anything should happen to equipment while you are using it, you are responsible for replacement. If you do not have insurance, the rental company will put you in touch with an insurance company that will cover the production.

Make sure you get a signed agreement on the terms of the film making equipment rental, cost, time of pick up and return, and a list of liability and responsibility terms. Check the equipment when you pick it up to make sure it is all there. It is much better to find a missing element while at the rental house than when you are ready to shoot. Check everything with your list to make sure nothing has been left out, you will avoid wasting time on trips back to the rental house to retrieve missing equipment. Check everything over thoroughly and don’t miss anything, no matter how small. You may want to pick up the equipment a day or two before the day you will be shooting. This will give you plenty of time to test the equipment so there will be no surprises.

About the Author
By Anders Eriksson, feel free to visit his soon to be top ranked Perpetual20 training site: Perpetual 20